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Creating a strong framework Because a flashback halts the forward motion of the narrative, the reader must care about the character before you throw the car in reverse. Oh, no, I think.
Peeta Mellark and I are not friends. Our only real interaction happened years ago. Click To Tweet The first sentences There are two things to note about a strong first sentence of a flashback.
Maybe this flashback comes to your character in a natural way when a sense of smell triggers the memory. The effect is different, so use this transition point to full advantage. This signal is achieved by changing the verb tense. If your narrative is in past tense, the first sentence of the flashback should be in past perfect.
You only have to maintain it for one or two sentences, and then you can go back to simple past tense so that the reader experiences it in real time. You can clearly signal a flashback using a change in verb tense.
Notice that the opening line of this scene may not seem a remarkable transition sentence; but in the context unfortunately, too long to post here it serves as world building. The words were ugly and I had no defense.
Tessa is a good girl with a sweet, reliable boyfriend back home. She’s got direction, ambition, and a mother who’s intent on keeping her that way. Nov 13, · In case of a forgotten title or author, you have to remember anything you can use from the book. It could be the name of a character, a line of dialog, or even basic plot points. Tessa is a good girl with a sweet, reliable boyfriend back home. She’s got direction, ambition, and a mother who’s intent on keeping her that way.
The middle action The meat of a flashback is storytellingbut as with the transition sentence, it should serve a specific purpose.
Every word, every line, should be telling your reader essential information about your characterstheir worldand the emotional landscape that formed who they have become.
If you want your readers to indulge this stalling of the forward motion of the narrative, you need to engage them. An effective way of doing this is to write it as an active sceneput them into the moment rather than summarizing it.
Feet sloshed toward me through the mud… It was the boy.
In his arms, he carried two large loaves of bread that must have fallen into the fire because the crusts were scorched black… The boy never even glanced my way, but I was watching him. Because of the bread, because of the red weal that stood out on his cheekbone. What had she hit him with?
My parents never hit us. The boy took one look back to the bakery as if checking that the coast was clear, then… he threw a loaf of bread in my direction. Might have dropped the loaves into the flames, knowing it meant being punished, and then delivered them to me.
The last sentences The last sentences of the flashback mark another important transition.
As with the earlier transition, be strategic in the way you bring your reader back to the main storyline. What did she miss?
Does she feel different in the same space she inhabited before the memory? The form of your flashback tense, tone, structure should match its function. We ate slices of bread for breakfast and headed to school. It was as if spring had come overnight. I feel like I owe him something, and I hate owing people.
I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Exactly how am I supposed to work in a thank-you in there?
Your flashback needs to reshape reader understanding of character or plot. Click To Tweet A flashback scene can be a great tool for setting the stage of your story, informing readers, and taking them deeper into the hearts and minds of your characters.Wattpad has carved a very comfortable resting place for itself in the online reading market.
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